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(NEWZIMBABWE) The Truth About: Albert Nyathi

The Truth About: Albert Nyathi
by
15/07/2009 00:00:00

Albert Nyathi is Zimbabwe's most famous poet. On a visit to Britain this week, he tells New Zimbabwe.com The Truth About Albert Nyathi:

Home Town: Gwanda
Born: November 15, 1962
Marital Status: Married to Caroline, with three children

You have had an interesting career in entertainment. Where did it all start for you?

I don’t think there is a particular moment I can pick as the beginning, but I started praise poetry when I was quite young. I would sing while herding cattle, and do praise poetry when my dog hunted down and caught a hare, or when my dog won a dog-fight against other boys’ dogs in the village. When you had the most feared dog in those days, you would do praise poetry for it – all of which I have sadly forgotten.

My interest in poetry deepened at Msitheli [Secondary School] and Matopo [High School]. At the University of Zimbabwe, the student leaders at the time like Tendai Biti [now Finance Minister] and Arthur Mutambara [now Deputy Prime Minister] used to work with me, or shall I say used me! (chuckles). There was no student function worth its salt that would happen without me on stage.

I remember once when Morgan Tsvangirai [now Prime Minister] was invited by Mutambara while he was still ZCTU secretary general. I got on stage that day and my poetry was as raw and rough as it remains today. I have never been afraid to say things when I am not happy with something.

But it was not until 1994 that I recorded my first album, Senzeni Na? [What Have We Done].

Senzeni Na? was an emotionally charged song. What made you do it?
I wrote that song the day Chris Hani [former leader of the South African Communist Party and Chief of Staff of the ANC’s military wing Umkhonto Wesizwe] died. ZAPU worked with Hani in the early 1960s, and I met him in Zambia at the ZIPRA camps.

When he died, I was deeply moved. He had spent over 30 years in exile, and in a matter of months after coming home, he was dead. So Senzeni Na? was for Chris Hani in particular, and all those who fought for their freedom in general – from Nikita Mangena, Martin Luther King, Malcom X through to Joshua Nkomo.

Many will remember the video for that song through the young girl with tears streaking down her cheeks. Whatever happened to her?

That was Naomi Makwenda, who now lives in Coventry. She was in Grade 6 at the time and was just acting because it was Prudence Katomeni who sang the part. Prudence was doing Form 4 when we recorded the song. She is now married to Comfort Mbofana [former Radio DJ and Producer].

You recite poems as well as you can sing. Which comes first, poetry or music?
Poetry comes first. Today I am in London, invited by a school which has been using one of my poems. I am told five pupils came across my poem called My Daughter and decided to do an art project based on it.

I must say though that music also has an equal effect. I am not necessarily a singer myself, but I work with very talented musicians. They bring a different dimension to my stage act.

You had an interesting upbringing, shall we say, your father was a polygamist. Did that feel any strange in any way?

It’s not strange because my uncle is also a polygamist. Don’t ask me if I want to be one! (laughs). It used to be okay during my father’s day, but now I think it’s frowned upon. You now have to consider socio-economic and health issues as well. If you are a polygamist, you must have a pretty good plan how you are going to feed your large family.

You ran away from school at a young age and became a herd boy in Botswana. What’s going on in your mind at this time?

I hated school, because I did not understand why I had to go there. I had no role models … someone who had gone to school and had success. I thought it was pointless.

You would go to school and the teachers did not come from our area, from our district. So you had a situation where no-one had ever gone to school and come back to show that there was value in doing so.

In the district, they employed people who don’t come from that area – so that brought nothing by way of role models to that community.

I had more admiration for my brother who went to South Africa, came back and bought goats, cows and donkeys for ploughing. For me, that was more practical.

After Botswana, you went to Zambia to volunteer as a liberation fighter. You must have met role models there?

Joshua Nkomo was marvellous. I am forever indebted to him. He inculcated in us an understanding of life that I had previously not been exposed to. He told us we had to go back to school after the war.

So you can imagine I and many others went back to start our Form One and so on aged 20 after independence. People were laughing at us, sasingamaguqa!

You now live in Harare of course. I think you have been for close to two decades. What influenced your move?

There was only one university in Zimbabwe. From Matopo, I went there. After university, I got a job at the National Arts Council as a publications officer. I quit in 1997. You realise of course that in the capital city, there are plenty opportunities but my home is Bulawayo, and my birthplace is Gwanda.

Why is piracy bad?
It’s bad because it creates hunger in our families. When you create something, it’s supposed to be your intellectual property and somebody decides to infringe on that … it’s bad. Music creates so much employment, you may not immediately see it but if you look closely you will see that the artist employs a band; the record company employs so many people from production to marketing. If people engage in piracy, then they are contributing to poverty because income dries up for those who created that work of art.

What’s your biggest regret?
I have many. I however find it difficult to be personal on this question. If you look at my work, I provide a lot of commentary on things happening around me. I certainly wish things were different in Zimbabwe. You currently have people surviving by clinging onto something called hope.

Who do you admire most in the music industry?
It’s definitely Michael Jackson, not because he is dead, or because of the hype. In history, I don’t know anyone who has provided entertainment of that quality, and on that global scale. For me, that man was an entertainer who could bring tears and joy at the same time.

In my career, I must say I was influenced by Mbongeni Ngema, Lovemore Majaivana and Ladysmith Black Mambazo. I remember during the war we changed some of their songs (Black Mambazo’s) and made them relevant to our situation.

Labels: ALBERT NYATHI, CHRIS HANI, ENTERTAINMENT, LIBERATION

posted by MrK @ 4:02 PM